Reporters With No Borders
Julie Wheelwright, of the UK’s “The Independent” newspaper, in the context of reviewing the book by Michela Wrong’s I Didn’t Do It For You, wrote:
“When a gang of boys stole my wallet in Asmara while I was covering Eritrea’s Independence referendum, it made the national news. Residents were appalled that such a crime had taken place in the capital of their spanking new nation and assured me that thefts were rare. Such were the pride and idealism in Africa’s youngest state.”
This is the sort of literature that has been disseminated now for some time by many western reporters and scholars. Some fancied making invincible men of Eritreans; others would make angels and saints of them, and a third would see them as the Israelis of Africa, the modern Spartans and so on and so on. All this nonsense was not reported by novice, inexperienced, or amateur reporters only, but by the veteran, the professional and the sophisticated as well. And to many sober Eritreans it was insulting as it all looked and smelt like mocking and scoffing at them.
Reporters, ordinary mortals may believe, are the people who search, find, scrutinize, and report the truth. But in light of what we have so far seen in some circles, when the reporting pertains to Eritrea, the standard of reporting suddenly lowers its threshold as to allow for fabrications and fairy tales to be, not only tolerated, but also extended with the status of truth.
A reporter, most of us would believe, is the source of raw, not yet manipulated information. As it turns out, this is only a definition, and an ideal. Forget the indifferent, honest and objective reporter; he is not even in the transaction. He, like the definition itself, is a fiction. But this shouldn’t distress and deter us from preferring the truth to fiction, reality to the imaginary. Besides, there are still reporters who adhere to the ethics of the profession and seldom forget the responsibilities falling squarely upon their shoulders. The American reporters who brought the ‘Abu Ghraib’ scandal to the public’s notice are a shining example of those reporters who represent their nation’s conscience as they are expected to be.
How is it, then, that at this age, branded the information age, the age of the Internet, the age of information explosion, at this age, Ms. Julie Wheelwright, a journalist, a book critic, comes out to tell us this fantastic story about her wallet which was stolen in Asmara, and how it made residents appalled and how it made itself a national sensation? A little arrangement of the thought would make the point clearer. Here is an influential westerner, who lost her wallet to theft. She swallows the assurance that theft is rare with much ease and comfort. She takes this assurance for guaranteed truth and disseminates it for news. The fact that this assurance is coming from those who may benefit most by her broadcasting this as news, never trouble her and never does it raise any doubts in her mind. “I was assured”, as Ms. Julie Wheelwright stated, is not a good enough litmus test for a journalistic report. What other objective evidence for her report is there in her story? None. She didn’t mention any. So what merit does her claim to truth have? Did it not strike her mind that the story might have been a staged one and that she may have been fooled into dancing to the puppet-master’s tune. Ms. Wheelwright reported the incident in admiration and excitement; she has effectively, with no wink of the eye, told the world of a nation and its people, a new nation, a people unlike any of the nations of this world, a new cast of humanity. A society, where theft is unknown, though poverty is prevalent. She told of a society childishly optimistic, and haughtily proud. Those who don’t know about Eritrea would join Ms. Wheelwright her excitement and ecstasy in discovering, at last, the old romantic dream of the “NOBLE SAVAGE“. As for us, Eritreans, we believe that we know what and how we are. We are not unique and out of the normal and we are, above all, part of humanity, its positive and negative associated images well included. We also know that we have, like all human societies, men among us who would stop at nothing - our president is here in evidence. We have also some, or even more than some, who would steal when they are hungry and kill when angry. We have all the other sides of humanity: the good, the bad, and the ugly.
We, Eritreans, are also reasonable and sensitive enough to understand that reporting on us in terms of the unfamiliar, the abnormal, and the odd, however benign and friendly it may seem, will, in the end, only help depict freaks, odd and eccentric of us. But, the important question begging here for an answer is, why is this kind of reporting about Eritrea and Eritreans going around, recurring and surfacing now and then? Beside the reporters who make it for the payments made to them by PR firms recruited for the purpose of image polishing and amelioration by the Dictator, there are others who go out of their way and compromise their professional integrity for reasons which are not completely in the dark. Ignorance combined with cultural and psychological aberrations are the great common factor between all members of this class. In fact, some of the reasons that make their sights myopic are clear all the time; one of these possible reasons could be what a guru and a sage of our age explained:[i]
“One of the persistent delusions of mankind is that some sections of the human race are morally better or worse than others. This belief has many different forms, none of which has any rational basis. It is natural to think well of ourselves, and thence, if our mental process are simple, of our sex, our class, our nation, and our age. But among writers, specially moralists, a less direct expression of self-esteem is common. They tend to think ill of their neighbors and acquaintances, and therefore to think well of the section of mankind to which they themselves do not belong. Lao-Tze admired the ‘pure men of old’, who lived before the advent of Confucian sophistication. Tacitus and Madame de staël admired the Germans because they had no Emperor. Locke thought well of the ‘intelligent American’ because he is not led astray by Cartesian sophistries.
A rather curious form of this admiration for groups to which the admirer does not belong is the belief in the superior virtue of the oppressed: subject nations, the poor, women, and children. The eighteenth century, while conquering America from Indians, reducing the peasantry to the condition of pauper laborers, and introducing the cruelties of early industrialism, loved to sentimentalize about the ‘noble savage’ and the simple annals of the poor.”
There could be another reason, which may seem far-fetched and imaginary. Yet we may have to consider it for its probability:
Virtual Pets
Pets and the rearing of pets have always occupied an ever-increasing area in the life of individuals in the west and elsewhere. Actually the rearing and acquiring of pets have developed and took astonishing turns in the last few years. Dogs, cats and birds were the common pets some time ago, but now even snakes, tigers and crocodiles are taken by people for companionship as pets. Even ordinary rocks have come to the view occupying their place in the matrix of pets and came to be called Pet rock. There is even a fad out there known as the Virtual Pet with a full web presence bearing all the information that makes your jaws fall. Is it then far fetched to allow for such a fact as that some seasoned and sophisticated people would consider a poor African Country and see it extra exotic and appropriate for petting and treat it as such? Ms. Michela Wrong writes the following in her new book “I Didn’t Do It For You”:
“My Survey done, I took the image of Eritrea away with me, a memory to be treasured and coddled, summoned when bleakness loomed.”
The image she is dwelling on here is the image of Eritrea of the time before May 1998, for many this should sound more like a pet talk than a talk of a veteran reporter entrusted to find and figure out of a thin and lean truth in a gigantic heap of lies.
If this explains and help understanding the well wishing (naïve) reporters, it will still fall short of explaining the other category, the sober, cold and calculative writers and journalists with rather ulterior motives and inconceivable ends. These, we don’t have to consider now, for this cannot be done just except in a separate topic exclusively dedicated to them. However, it is necessary that one has to remember the need of not to clutter the discussion more than it already is.
But, as it appears, Ms. Julie Wheelwright’s above-mentioned indulgence with Eritrea is not a passing momentary caprice. It has a trend with the rigor of a recurring pattern. In her review of the Wrong’s I Didn’t Do It For You, she said:
“Wrong has now written a lyrical, intensely intelligent and wonderfully readable History of Eritrea, offering a cogent explanation for its seeming failures.”
This is a total disregard, a massive failure of understanding of what the word History means, or an outright gross misrepresentation of the book and what it is about. Even if the book, as it does, classifies itself as a book of history, it cannot be a true history of Eritrea. Reading it will get us nothing of what one expects to get from reading a book: true information! What one gets from reading this book of Ms. Michela Wrong is, in fact, what one would get from listening to a piece of soft instrumental music, mere satisfaction of something different than the satisfaction of one’s reasoning power. This means that the book may satisfy one’s poetic and artistic tastes, but it certainly will miserably fail to attend to your intellectual faculties and disappoint it.
The reason for this is that the writer gives no consideration to truth as a value, desperately sought in reading and writing history. A false history is not a history after all; it is a fairy tale. Saying this, however, is not saying that truth is attainable in history with certainty; that much is not even available to physical sciences. But definitely there are differences between history and fairy tales and there are criteria, which makes a work on history what it is. These criteria are not part of the book by Ms. wrong. And as such the book may not, with much certainty, be a book of history, much less a book on the history of Eritrea at any stage. That history has to wait for Eritreans with full understanding of the nature of their societies. Some already have made an opening and appearance.
So What Is Wrong’s Book About?
One may not deny that the book is highly readable, written with wit, skill and style not accessible to many others who wrote about matters pertaining to Eritrea. The beauty of the style of the book and its charm is that it pushes you forcefully from one page to the next, you may in the end, by sacrificing and relieving yourself of some of your daily obligations, decide to take on the book in one straight go. In this regard, the book is beautiful. But beauty can’t compensate for truth and stand in lieu, and certainly it should not sidetrack and distract us from trying to come as close to the truth as is humanly possible. We have to start from what clear facts we have at hand: The book classifies itself as a book of history. There is, in addition to this, what Ms. Julie Wheelwright has written to the effect that the book is a readable history of Eritrea.
Romanticism?
Reading the book, one cannot see in its entirety except the highly charged subjectivity not usually used in writing books of history. The style of the book is an old and common style used by writers of the European Romantic movement of the eighteenth and nineteenth century: valid for speaking pompously, but vaguely, about things which one cannot objectify, define or quantify. It is a style of saying things almost poetically in the hope that the charm of the language may stand for truth or, in any case, may transfer feelings the author experiences but can’t intelligibly communicate. Perhaps hints and a small journey to the literary world on this important historical movement would make issues clearer and may even bring us a long way toward settling the question we have asked: “What kind of book is Michela Wrong’s book? “.
Here is a description of Romanticism as seen by an important British thinker of the twentieth century:[ii]
“From the latter part of the eighteenth century to the present day, art, literature and philosophy, and even politics, have been influenced, positively or negatively, by a way of feeling which was characteristic of what in a large sense, may be called the romantic movement.
“Cultivated people in eighteenth-century France greatly admired what they called la sensibilité, which meant a proneness to emotion, and most particularly to the emotion of sympathy. To be thoroughly satisfactory the emotion has to and must be direct and violent and quite uninformed by thought.
Another authority in the subject, wrote this, characterizing Romanticism:
“Among the characteristic attitudes of Romanticism are the following: A deepened appreciation of the beauties of nature; a general exaltation of emotion over reason and of the senses over the intellect; a turning in upon the self and a heightened examination of human personality and its moods and mental potentialities; a preoccupation with the genius, the hero, and the exceptional figure in general.”
[i] Bertrand Russell: unpopular essays-The superior virtue of the oppressed. P.69
[ii] Bertrand Russell: History of western Philosophy-p.651
[iii] Selected writings of Thomas Carlyle-penguin classics p.113
[iv] Will Durant: The life of Greece- Sparta P.87
vi karl popper: the open society and its enemies p.188